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	<title>noel-griffin</title>
	<link>https://noel-griffin.com</link>
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	<pubDate>Sun, 18 Sep 2022 15:25:48 +0000</pubDate>
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	<item>
		<title>Terraphane</title>
				
		<link>https://noel-griffin.com/Terraphane</link>

		<pubDate>Sun, 18 Sep 2022 15:25:48 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

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		<description>Terraphane

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/c2eec59fe290f70f1e60522eebe5e368b33aa7699d975b79a9ab97da6a5e335c/lightbox4.png" data-mid="153250126" border="0"  src="https://freight.cargo.site/w/1000/i/c2eec59fe290f70f1e60522eebe5e368b33aa7699d975b79a9ab97da6a5e335c/lightbox4.png" /&#62;


‘Terraphane’2022Marchmont Soil, polyurethane resin, 3d printed frames, light boxesThis work is created using the distinctive red soil of Marchmont Estate. Photographic images made during my residency @marchmonthouse have been converted into a digital depth map relief. The darkest tones in the image become the highest point in the relief and the lightest areas, the lowest. The relief is 3d printed and cast in soil bound with resin and illuminated with a lightbox. The title of the work, ‘Terraphane’ meaning ‘light through earth’, is in reference to the 19th century ‘Lithophane’, thin translucent porcelain reliefs which, when lit with a back light source, reveal an image.

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a5eae3edfb1205b8e616de80c2d31ab4725fd84d30d2bbf0ab4a496bf44966a3/lightbox1.png" data-mid="153250160" border="0"  src="https://freight.cargo.site/w/1000/i/a5eae3edfb1205b8e616de80c2d31ab4725fd84d30d2bbf0ab4a496bf44966a3/lightbox1.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3cef306f07cf13103bf3b9ba676bceecfe0f26314d757916309b7d63fbbeff95/lightbox2.png" data-mid="153250163" border="0"  src="https://freight.cargo.site/w/1000/i/3cef306f07cf13103bf3b9ba676bceecfe0f26314d757916309b7d63fbbeff95/lightbox2.png" /&#62;&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/2ad2abe6542adf5f5f74504eafffe9c91b4961ef1ba8e7549e8178079a7ad0a6/lightbox3.png" data-mid="153250164" border="0"  src="https://freight.cargo.site/w/1000/i/2ad2abe6542adf5f5f74504eafffe9c91b4961ef1ba8e7549e8178079a7ad0a6/lightbox3.png" /&#62;</description>
		
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		<title>Post Pastoral</title>
				
		<link>https://noel-griffin.com/Post-Pastoral</link>

		<pubDate>Tue, 08 Mar 2022 14:04:40 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/Post-Pastoral</guid>

		<description>
Post Pastoral&#38;nbsp;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/75a010ac8882832f5f8a68b24cb50c891eba36724bb93fc81e41d918f31f6625/galleryview2.png" data-mid="135661538" border="0"  src="https://freight.cargo.site/w/1000/i/75a010ac8882832f5f8a68b24cb50c891eba36724bb93fc81e41d918f31f6625/galleryview2.png" /&#62;
Player piano, overhead projector, printed agar plate colonised by bacteria and fungi from soil sample&#38;nbsp;

‘Post Pastoral’ takes as its inspiration Philip K Dicks story, The Preserving Machine in which people attempt to preserve classical music during a cultural collapse by encoding musical notes into animals. However, mutations in the animals render the musical works unrecognisable, nature and culture compete for existence. Inspired by this narrative, Beethoven’s 6th symphony, also known as his ‘pastoral’ is translated into a living form, encoding the score in a petri dish. A soil sample gathered from a pastoral landscape is spread over the living score and is colonised by bacteria and fungi. The piece is rendered back into musical form and performed, however nature has rendered the symphony unrecognisable, its harmonies and form mutated. As time passes, the pastoral symphony becomes further and further from its original, Beethovens ideas superseded by non human composers. The work seeks to subvert traditional pastoral ideas of nature which places humans over nature towards a mutual entanglement of the human and the non-human.&#38;nbsp;


&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/66bf132488207c23c642b8d9ec7a44aadb6c3d1ac20f9a376aba1bddac4155cb/gallerylook13.png" data-mid="135662313" border="0"  src="https://freight.cargo.site/w/1000/i/66bf132488207c23c642b8d9ec7a44aadb6c3d1ac20f9a376aba1bddac4155cb/gallerylook13.png" /&#62;&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/4ef305f522f002a3bd62fb25eaf6da3812b9bc9fa42a1c0c11b4e4b28f5fc383/gallerylook8.png" data-mid="135662410" border="0"  src="https://freight.cargo.site/w/1000/i/4ef305f522f002a3bd62fb25eaf6da3812b9bc9fa42a1c0c11b4e4b28f5fc383/gallerylook8.png" /&#62;

&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/1f8665af1f7917caee4f8954480a8a60775a506ee94d20020646d8c592e324cd/gallerylook3.png" data-mid="135662630" border="0"  src="https://freight.cargo.site/w/1000/i/1f8665af1f7917caee4f8954480a8a60775a506ee94d20020646d8c592e324cd/gallerylook3.png" /&#62;</description>
		
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		<title>Ashes to Ashes</title>
				
		<link>https://noel-griffin.com/Ashes-to-Ashes</link>

		<pubDate>Sun, 18 Sep 2022 15:18:10 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/Ashes-to-Ashes</guid>

		<description>
	Ashes to Ashes&#38;nbsp;&#60;img width="2024" height="1682" width_o="2024" height_o="1682" data-src="https://freight.cargo.site/t/original/i/db63820bca53ec9b50615e37214797724b50c4842a41fee1091df93f053128c5/ash4.png" data-mid="153249603" border="0"  src="https://freight.cargo.site/w/1000/i/db63820bca53ec9b50615e37214797724b50c4842a41fee1091df93f053128c5/ash4.png" /&#62;



Installation: triptych of Ash charcoal prints on paper, 3d printed ash branch and ash charcoal This work reflects on the Ash dieback disease caused by a fungus called Hymenoscyphus Faxineus, which will kill around 80% of the ash population across the UK. Whilst artist in residence Clyde Muirshiel Region Park on the West Coast of Scotland, I witnessed many Ash trees being felled due to the disease and from these trees, I produced charcoal. This carbon black pigment was made photosensitive and used to create a triptych of prints, forming a material and photographic record of the now lost trees. The installation also includes a 3d printed sculpture taken from a scan of an Ash branch before its transformation into charcoal. </description>
		
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	<item>
		<title>Bones of your Mother</title>
				
		<link>https://noel-griffin.com/Bones-of-your-Mother-1</link>

		<pubDate>Sun, 31 Oct 2021 17:10:28 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/Bones-of-your-Mother-1</guid>

		<description>Bones of your Mother

&#60;img width="1417" height="930" width_o="1417" height_o="930" data-src="https://freight.cargo.site/t/original/i/21d586212e79592bfd403004239493a816db44dfd3b0d4483d63b7b10459c321/E769A26D-F748-4CAE-AEAD-B7F8EF1BBC89_1_201_a.jpeg" data-mid="123216321" border="0"  src="https://freight.cargo.site/w/1000/i/21d586212e79592bfd403004239493a816db44dfd3b0d4483d63b7b10459c321/E769A26D-F748-4CAE-AEAD-B7F8EF1BBC89_1_201_a.jpeg" /&#62;



	The work explores the myth of Deucalion and Pyrrha from Ovid’s Metamorphosis, set in a near apocalyptic future. Zeus, angered by man’s destruction of the planet, sends a great flood to wipe out humanity. Only one man, Deucalion and one woman survive the deluge. The pair lonely in the desolate landscape attempt to repopulate the earth. They consult The Oracle of Themis who instructs them to throw behind them the ‘bones of their mother’. Since the humans are children of the earth the bones must refer to stones. Casting behind them the stones at their feet, scarred with the fossilised remains of technological waste, the pair bring to light a new form of life. The stones loose their hardness and are metamorphosed into monstrous creatures part organic and part machine. 


&#60;img width="1934" height="1286" width_o="1934" height_o="1286" data-src="https://freight.cargo.site/t/original/i/10daf543c9d4067e8aa62224e3224c66a58af67be14d03f7b2104788217c8b11/Screenshot-2021-03-17-at-13.37.41.png" data-mid="123216649" border="0"  src="https://freight.cargo.site/w/1000/i/10daf543c9d4067e8aa62224e3224c66a58af67be14d03f7b2104788217c8b11/Screenshot-2021-03-17-at-13.37.41.png" /&#62;

The installation features a series of Microbial fuel cell batteries, which are a form of renewable energy that converts bacterial energy found in sea sediment into electrical energy. The robot behind the glass of a diorama spasmed into life as bacteria in the gallery grew.





	&#60;img width="3024" height="4032" width_o="3024" height_o="4032" data-src="https://freight.cargo.site/t/original/i/d2b1a007f7b489359ab65a22194d3a9bce28db157bc38fa3a72f77e5eba3c32c/60AEA06C-5FFC-4190-95D4-07EDD06EC212.jpeg" data-mid="123216638" border="0"  src="https://freight.cargo.site/w/1000/i/d2b1a007f7b489359ab65a22194d3a9bce28db157bc38fa3a72f77e5eba3c32c/60AEA06C-5FFC-4190-95D4-07EDD06EC212.jpeg" /&#62;




 
	&#60;img width="2912" height="2223" width_o="2912" height_o="2223" data-src="https://freight.cargo.site/t/original/i/840d6cc7ba6cdeeb4fe49578189d58cf2d9f175216850674aa1015b69ab1240c/Screenshot-2021-03-17-at-13.23.09.png" data-mid="123216639" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/840d6cc7ba6cdeeb4fe49578189d58cf2d9f175216850674aa1015b69ab1240c/Screenshot-2021-03-17-at-13.23.09.png" /&#62;&#60;img width="2206" height="1471" width_o="2206" height_o="1471" data-src="https://freight.cargo.site/t/original/i/4002f295ffcc4608f2440b09a7382b3f09d710fd1b5d9e4e7b1665d02362625a/RSA_New_Contemporaries_2020-12.jpg" data-mid="123216643" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/4002f295ffcc4608f2440b09a7382b3f09d710fd1b5d9e4e7b1665d02362625a/RSA_New_Contemporaries_2020-12.jpg" /&#62;












	


	





	
	
	
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	<item>
		<title>Hepatoscopy</title>
				
		<link>https://noel-griffin.com/Hepatoscopy-1</link>

		<pubDate>Sun, 31 Oct 2021 17:35:34 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/Hepatoscopy-1</guid>

		<description>
Hepatoscopy

&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/6f9e20eb8e1e73eaa77799d3c81fb878e43b5832eb71a2c612460c375d4ac889/prometheusinstall4.png" data-mid="154744258" border="0"  src="https://freight.cargo.site/w/1000/i/6f9e20eb8e1e73eaa77799d3c81fb878e43b5832eb71a2c612460c375d4ac889/prometheusinstall4.png" /&#62;

‘Hepatoscopy’ is based on the Greek myth of Prometheus who steals fire, the first technology from the gods and gives it to man. As punishment, prometheus is chained to a rock and an eagle is sent to peck out his liver every day. Each night, his liver would regrow, which meant he had to endure his punishment for eternity. My work considers the ancient myth of prometheus in relation to contemporary technology. 


The installation comprises of 3d printer which produces a synthetic liver in bioplastic each day, simultaneously the previous days liver, displayed in a glass chamber, slowly decomposes turning to liquid. This ritualistic process is repeated each day in an endless cycle of creation and destruction. 


With the emergence of 3d printable organs and tissues, it may soon be possible to defy nature and to render ourselves immortal. 


The title of the exhibition, ‘Hepatoscopy’ refers to an ancient practise of divination through examining the entrails of sacrificed animals, most commonly the liver, which was believed to contain messages from the gods and allowed the reader to predict the future. Thus, through experiencing the endless ritual of creation and decay, the viewer may witness the future of humanity.&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/cdce104d75ffee23047e318b0416394f0084c8d1c52867f04c0c7cb96d0328eb/prometheusinstall3.png" data-mid="154737035" border="0"  src="https://freight.cargo.site/w/1000/i/cdce104d75ffee23047e318b0416394f0084c8d1c52867f04c0c7cb96d0328eb/prometheusinstall3.png" /&#62;&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/01c31f5169f1549c23b0bb2e2ff9a6e8f52e476caadcf47a3d55aa649c566647/prometheusinstall5.png" data-mid="154750265" border="0"  src="https://freight.cargo.site/w/1000/i/01c31f5169f1549c23b0bb2e2ff9a6e8f52e476caadcf47a3d55aa649c566647/prometheusinstall5.png" /&#62;





&#60;img width="2500" height="3333" width_o="2500" height_o="3333" data-src="https://freight.cargo.site/t/original/i/d3c6fbd799c020346b4ee29afb282c61f99cac8a089ed8909bbbf56f1f49d686/IMG_0190_2500_c.jpg" data-mid="125202592" border="0"  src="https://freight.cargo.site/w/1000/i/d3c6fbd799c020346b4ee29afb282c61f99cac8a089ed8909bbbf56f1f49d686/IMG_0190_2500_c.jpg" /&#62;
&#60;img width="2500" height="3760" width_o="2500" height_o="3760" data-src="https://freight.cargo.site/t/original/i/cf37cf2609a160206d92f3448ff4a94bc60dc842498672dcc434171417daf31c/DSC_0124_2500_c.JPG" data-mid="125202593" border="0"  src="https://freight.cargo.site/w/1000/i/cf37cf2609a160206d92f3448ff4a94bc60dc842498672dcc434171417daf31c/DSC_0124_2500_c.JPG" /&#62;

</description>
		
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	<item>
		<title>Non Finito</title>
				
		<link>https://noel-griffin.com/Non-Finito-1</link>

		<pubDate>Sun, 31 Oct 2021 17:10:26 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/Non-Finito-1</guid>

		<description>
	Non Finito


‘Non Finito’ was produced as part of the John Kinross Scholarship to Florence in 2019 and is placed in the Royal Scottish Academy’s collection. The work is a self evolving data driven artwork -
A digital model of Michelangelo’s David is constructed using Instagram photos. The work utilises photogrammetry software, which analyses the spacial data in a series of images and attempts to generate a 3d model by stitching them together. The resulting model is dependent upon the number of photos uploaded to Instagram each month. The work has taken on a new meaning during the Coronavirus pandemic as museums are forced to close to the public and less photos are subsequently uploaded to social media. The digital David thus becomes corrupted and its surface simplified, a figure appearing trapped within a block of marble waiting to be carved and reminiscent of the ‘non finito’ style for which Michelangelo is known for. The work acts as an evolving archival object, continually transforming, mutating and degrading over time.
	



&#60;img width="1125" height="1512" width_o="1125" height_o="1512" data-src="https://freight.cargo.site/t/original/i/77b6392f1945cb8facca1b1cb1d3632d366f882845a5e2e1e6cfedfeccff0b1d/IMG_2535.jpeg" data-mid="123215949" border="0"  src="https://freight.cargo.site/w/1000/i/77b6392f1945cb8facca1b1cb1d3632d366f882845a5e2e1e6cfedfeccff0b1d/IMG_2535.jpeg" /&#62;










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&#60;img width="1920" height="2596" width_o="1920" height_o="2596" data-src="https://freight.cargo.site/t/original/i/79582817eb13e372fa0326e7fab4c7b2dfd48ee55149df4ddaf518db9b25f85c/davidoct7-Recovered.png" data-mid="123216044" border="0"  src="https://freight.cargo.site/w/1000/i/79582817eb13e372fa0326e7fab4c7b2dfd48ee55149df4ddaf518db9b25f85c/davidoct7-Recovered.png" /&#62;



	
	 
	&#38;nbsp;


	

</description>
		
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	<item>
		<title>The Seven Ages of Man </title>
				
		<link>https://noel-griffin.com/The-Seven-Ages-of-Man-1</link>

		<pubDate>Sun, 31 Oct 2021 17:10:27 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/The-Seven-Ages-of-Man-1</guid>

		<description>
	The Seven Ages of Man





&#60;img width="2126" height="2139" width_o="2126" height_o="2139" data-src="https://freight.cargo.site/t/original/i/2b1070d92e309791686daf5cb7cb630bad7ac52ed99c02b7f69463a2242aadac/flint.jpg" data-mid="123216232" border="0"  src="https://freight.cargo.site/w/1000/i/2b1070d92e309791686daf5cb7cb630bad7ac52ed99c02b7f69463a2242aadac/flint.jpg" /&#62;

A series of seven Flints, the first technology, each produced in a different material representing a different technological age. The work examines humanities relation to material and technology through time.&#38;nbsp;From left clockwise -&#38;nbsp;Agate,&#38;nbsp;Bronze,&#38;nbsp;Iron,&#38;nbsp;Steel,&#38;nbsp;Coal,&#38;nbsp;Plastic,&#38;nbsp;3d printed PLA


&#60;img width="2676" height="810" width_o="2676" height_o="810" data-src="https://freight.cargo.site/t/original/i/418dfedd7454b91aac6432a8f990783b7aaeb7ba5d32cca5647c31d9b98e9ce1/Screenshot-2021-04-17-at-16.34.30.png" data-mid="123216308" border="0" data-scale="96" src="https://freight.cargo.site/w/1000/i/418dfedd7454b91aac6432a8f990783b7aaeb7ba5d32cca5647c31d9b98e9ce1/Screenshot-2021-04-17-at-16.34.30.png" /&#62;


&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/bd917655bc6965d2395b635759005bf550ba7e8506a97cb6decaabf004038552/flint-close-up-1.png" data-mid="125202148" border="0"  src="https://freight.cargo.site/w/1000/i/bd917655bc6965d2395b635759005bf550ba7e8506a97cb6decaabf004038552/flint-close-up-1.png" /&#62;&#60;img width="1920" height="1920" width_o="1920" height_o="1920" data-src="https://freight.cargo.site/t/original/i/eb4b4677e8294b1389119f55851276239a0b4da33d3e5f8afa3b29c7768a9b36/flint-close-up-5.png" data-mid="125202154" border="0"  src="https://freight.cargo.site/w/1000/i/eb4b4677e8294b1389119f55851276239a0b4da33d3e5f8afa3b29c7768a9b36/flint-close-up-5.png" /&#62;</description>
		
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	<item>
		<title>Remades  </title>
				
		<link>https://noel-griffin.com/Remades</link>

		<pubDate>Sat, 17 Apr 2021 15:56:10 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

		<guid isPermaLink="true">https://noel-griffin.com/Remades</guid>

		<description>
	Remades&#38;nbsp;

&#60;img width="2064" height="1183" width_o="2064" height_o="1183" data-src="https://freight.cargo.site/t/original/i/556fc4f704607953d0766e486bd2316a56615efed5559d4b4f462c598e41d3dc/Remades-1-uai-2064x1183.jpg" data-mid="105547819" border="0"  src="https://freight.cargo.site/w/1000/i/556fc4f704607953d0766e486bd2316a56615efed5559d4b4f462c598e41d3dc/Remades-1-uai-2064x1183.jpg" /&#62;
‘Remades’2019 - part of ‘Untitled’ with James N Hutchinson at The Tetley Leeds
Remades is based on the activities of Ulf Linde (1929-2013), a Swedish art critic who famously produced replicas of a number of Marcel Duchamp’s best-known works, most of which were Readymades that had long since disappeared. The Moderna Museet in Stockholm holds Linde’s replicas, which were signed and ‘authored’ by Duchamp, and there are many more official replicas attributed to Duchamp in museums internationally. Remades consists of twelve drawings, each representing an object that Linde made a replica of, made using photographs from the image-sharing website, Flickr, which have been uploaded by members of the public following encounters with Duchamp’s work around the world. Some of these photographs are compositionally awkward or ‘arty’ in some way, whereas others are quite ordinary.

The drawings featured in the &#38;nbsp;exhibition, Untitled, at The Tetley in Leeds. Over the course of the show, the drawings were replaced gradually by drawings of the same subjects made by Jess Carnegie, Marguerite Carson and Noel Griffin, all of whom graduated from The Glasgow School of Art in 2019, where Hutchinson supervised their dissertations. Carnegie researched different models, forms and institutions that are produced in the name of art education, Carson developed an imaginary exhibition of artworks whose materiality extends beyond their objecthood, and Griffin compared the use of replica artworks in nineteenth-century museums to those produced today. Many of the ideas we discussed in tutorials were present, whether explicitly or latently, in the rest of the exhibition. At the end of the exhibition, the drawings were distributed between Carnegie, Carson and Griffin, and Hutchinson retained possession of theirs.
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		<title>Haruspex</title>
				
		<link>https://noel-griffin.com/Haruspex</link>

		<pubDate>Sun, 31 Oct 2021 17:10:29 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

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Haruspex

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	3d printed relief, spray paint, graphite powder - part of the installation ‘Hepatoscopy’


This work work was exhibited for 12 months in the Leadenhall building London as part of the Aon Community Art Award
	


	

	
	




	



	

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	<item>
		<title>Sebastian</title>
				
		<link>https://noel-griffin.com/Sebastian-1</link>

		<pubDate>Sun, 31 Oct 2021 17:47:18 +0000</pubDate>

		<dc:creator>noel-griffin</dc:creator>

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	Sebastian

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3d printed PLA, cold cast aluminium flints, steel, chain, bronze powder paint This work is based on the story of St Sebastian. He was venerated as a protector of plagues since medieval times and is considered a queer icon. At the centre of St Sebastian’s torso is the symbol of the Carlina Acaulis a type of thistle in the family Asteraceae. The Emperor Charlemagne once found his army threatened with destruction by an epidemic of bubonic plague. He was informed by an angel that if he would shoot an arrow from his crossbow into the air, it would fall upon a plant, the Carlina acaulis, that would cure the disease.

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